Paul Robinson - Composer
Paul Robinson - Composer
Chamber
‘Chamber Concerto’ Clt/Bs/ Alt and Ten Sax/Horn in F/Tuba/2 Perc/Mandolin/Accordion, Piano String Quartet. View>>>
‘Eris’ Piano 4 Hands. Duration 17 mins View>>>
'Webernera' : Flt(+picc)/Clt(+bass)/Piano/Violin/Cello.Duration 15 mins.
''Astor La Vista' : Bandoneon (or Accordion)/Elec Guitar/Piano/Violin/D Bass. Duration 6 mins. BUY>>>
'The Faraday Wheel' :Solo Piano.Duration 12 mins.
'Invention on Ricercar a 3 : Flt (picc)/Clt (bass and E Flat)/Piano/Violin/Viola/Vcl//Accordion/Perc incl Vibes and Toy Piano. Duration 8 mins.
'Invention on Canon a 4' Flt (picc)/Clt (bass and E Flat)/Piano/Violin/Viola/Vcl//Accordion/Perc incl Vibes and Chinese gongs.Duration 8 mins.
'Invention on Ricercar a 6' Clt/Alto Sax/Piano/Violin/Viola/Vcl//Accordion/Perc incl Vibes.Duration 10 mins.
'A Night in the Palace of Reason'. Flt(picc)/Bs Clt/Stg Quartet/Piano/Perc incl Glock. Duration 10 mins.
Clarinet Quartet: Clt/Violin/Viola/Vcl BUY>>>
Choral
''The Eagle Has Landed' : SATB/2 Pianos/Percussion/ for young voices. Setting of poems around Lunar themes.Duration 30 mins.
"Incantation' Countertenor/2 Ten's/Bass. Poem by Byron.For the Hilliard Ensemble.
''Neither the Moon by Night' SATB +Treble solo and Organ.On Psalm 121.
'The Seventh' 3 Sops A Capella or SATB.On poem by Attila Jozsef.Duration 5 mins.
''Bow Down' 3 Sops A Capella or SATB. On various versions of the Three Sisters Ballad. Theatrical presentation.Duration 5 mins.
''Muffin Man' 3 Sops A Capella or SATB. On Crossword clues and Riddles. Theatrical presentation.Duration 7 mins.
'Triadic Riddles of Water and Ice' 3 Sops A Capella. For Trio Medieval and Juice.Duration 4 mins. www.juicevocalensemble.net BUY>>>
Arrangements
‘Anonymuse’ G Siracusa (for HarmonieBand)
‘O Clast’ V Clastrier (for HarmonieBand)
‘Corasol’ M Reissler (for HarmonieBand)
‘Peaches en Regalia’ F Zappa (for Threads Orchestra)
‘20 Small Cigars’ F Zappa (for Threads Orchestra)
Music for Young Players
'Maison Satie' : Set of piano pieces around ideas from the Maison Satie in Honfleur. Graded piano pieces from solo to piano 6 hands. Performed by John Forster and Harry Dadswell at Christ's Hospital School, West Sussex.
'Leaving Tarturus' : 4 Renaissance Recorders and parts for massed recorders. Fontanella commission.
'A Summa Caelo' : Youth Orchestra with parts for young players.Commission by the London Schools Symphony Orchestra.
Educational Projects
‘Maison Satie’ Collaborative project for Drama,Music and Art departments within a school or college. Based on the life of Erik Satie and including a soundtrack to be devised to Rene Clair’s ‘Entr’acte’
Classroom projects based on Composing for film and the compositional elements of GCE and A level composition syllabi.
Publications
Scores
'Invention on Ricercar a 3 : Flt (picc)/Clt (bass and E Flat)/Piano/Violin/Viola/Vcl//Accordion/Perc incl Vibes and Toy Piano. Duration 8 mins. (TEM –Taukay Editions Musicali)
http://www.taukay.it/en/archive/cont2010/2010_14.html
'Invention on Canon a 4' Flt (picc)/Clt (bass and E Flat)/Piano/Violin/Viola/Vcl//Accordion/Perc incl Vibes and Chinese gongs.Duration 8 mins.(TEM)
'Invention on Ricercar a 6' Clt/Alto Sax/Piano/Violin/Viola/Vcl//Accordion/Perc incl Vibes.Duration 10 mins.(TEM)
'A Night in the Palace of Reason'. Flt(picc)/Bs Clt/Stg Quartet/Piano/Perc incl Glock. Duration 10 mins.(TEM)
‘Piano Trio’ Duration 25 mins(TEM)
‘Cantilena’ Chamber Orchestra. Duration 17mins (TEM)
‘La Jeune Demoiselle’ (From Maison Satie) LCM publications Grade 4 2012
Recordings
'A Night in the Palace of Reason'. Flt(picc)/Bs Clt/Stg Quartet/Piano/Perc incl Glock. Duration 10 mins.(TEM)
‘Chamber Concerto’ Luxembourg Sinfonietta
‘Triadic Riddles of Water’ Songspin- Juice Ensemble –NonClassical’
‘Triadic Riddles of Water’ non pop remix. Gabriel Prokofiev Songspin- Juice Ensemble –NonClassical’
"Incantation' A Hilliard Songbook Hilliard Ensemble.ECM
‘La Passion de Jeanne d Arc’ score for C Dreyer’s film. Recorded and broadcast by Polish TV
“Robinson’s musical imagination also encompasses echoes of minimalism, with a rapid tenor piano riff underpinning wailing saxophones and more abstract, atonal effects, for the appearance of an angel. The film’s ending, with the statues ambivalence towards immortality, was matched by a wide open suspended chord, over which a glockenspiel line slowly faded from the ear, as a dream fades upon waking.”
Stephen Poole ‘The Independent’